Tuesday, July 30, 2013

Characters 101 – The Gift Bearer


Each month this blog has feature a character from one of the SFF productions.  This month I’m going to talk about everyone’s favorite inanimate object – Berry from The Gift Bearer, played by the talented Sherman Stasheff.


However, these character profiles are a lot of work and I always seem to dread them.  Also I doubt anyone really reads them, so this is going to be the last one.  Next month we’ll have a new month post category in place of this – which will be a lot more fun for everyone.  Tune in to the fourth Monday of next month to see what it is!


Berry is the magic statue named The Gift Bearer in the TV show of the same name.  Although the statue is officially gender-neutral the characters in the show (and me) tend to refer to it as a “he”, so that I’ll be referring to him throughout this post.  He is the adorable sidekick to the Silverstone sisters and almost always travels on their adventures with them. 
 Although his primary purpose is a plot device, he is probably the most adorable plot device you’ll ever meet.  Although he is just a statue, he has a very distinct personality and finds ways to communicate with his friends even though he can’t speak or move when they are looking at him.

His nickname – Berry – was given to him by Minerva since always calling him “the Gift Bearer” was too clunky and calling him “the statue” depersonalized him.  He had enough of a personality that he needed a real name so it became Berry.


History

Berry appears in very beginning of the first episode (albeit inside a box), delivered to the Silverstone sisters by a mysterious visitor dressed in an ambiguous disguise to mask his or her true identity.  The box is addressed to “Aunt Camilla” with no address or other clues as to where it came from. Since at that point the sisters have been pretending Camilla is living with them for legal reasons, the truth is that for all the sisters know she’s probably dead.  So why someone sent her the box containing Berry is a mystery.

When the sisters open the box and discover the statue, they are baffled and Peri asks to keep it because it would make a great jewelry holder (or a doorstop), the other agree and Peri using it to hold her jewelry unknowingly leads to it creating a gold ball that allows the sisters to travel through time and starts off all the adventures.  Without Berry the show wouldn’t happen, he’s the catalyst for everything, which is why the show is named after him.

Once the sisters realize that the statue is magical, they decide to research it to see if they can find out what it is and what it’s called.  Their research leads them to a legend about an ancient Egyptian statue of Baste known as The Gift Bearer.  They discover all this in Episode 3, and rather than cut and paste the dialogue, I’ll just insert the scene:


Vaunting, the author of the only book on The Gift Bearer, is an interesting character (in both versions of the second season) who eventually makes an appearance in the show, since they do have a way to time travel.


But, how was the statue really made?  What imbued it with all it’s magic?  Why was it made?  The true, detailed history of The Gift Bearer was included as a long monologue and artistic flashback sequence in the original second season of the show, but when the season was scraped and completely rewritten there wasn’t room for the speech or any of the information surrounding it. As I said, the speech is long, so I’m going to include it at the end of this post.  It’s told in the style of a myth or legend being passed down through oral tradition and it gets pretty grisly at the end, so if you’re easily offended then don’t read it.  Google Phoenician Sacrifice if you’re wondering whether or not you have the stomach for it before proceeding.


Appearance


“It was a metal statue, about a foot tall, in the shape of a cat standing on two legs and using the long, curved tail as a third leg for balance.  The arms were sculpted close to the body down to the elbows, than reached out holding a large round tray with small curved sides in front of it.  The head stood tall and proud, with triangle ears erect as if listening intently.  Carved oval eyes with detailed pupils where flecks of white and yellow were still visible watched them silently as if full of childish curiosity.  The eyes led down to a nose that stood out a few centimeters and sat on top of round carved whiskers that looked like cherub’s cheeks.  The mouth was carved in an innocent line that hinted at a smirk.  Around its neck was a beaded collar of three long lines that ended in an amulet that resembled a perfume or ointment jar and rested lightly on the tray where it was molded to its chest. 

The statue stood on a rectangular base a quarter of an inch thick that began shortly before its toes and ended where the tail touched the base.  The tail then continued into a mischievous curl .  Flecks of faded red, green, and blue paint speckled the body and face as if it had once been garishly painted.  The metal was tarnished and had a very slight green tint in places, but was mostly an orangeish brown.”

This is the description of the statue when the girls first pull him out of the box in the novelization (yes, I’m a dork) of the first two episodes (it will be finished a week from never, but it’s pretty good so far). 

The statue communicates through pantomime which often incorporates costumes and props which leads to nicknames for the various outfits like he’s a Barbie doll or action figure:



 
His “skin” becomes darker in season 2 for a reason that I won’t go into involving a stupid idiot professor in an arts class (I think), but that’s okay.  Berry disappears for five episodes for various reasons, so when he comes back I was able to explain his darkened appearance (because I felt like I needed to) as him getting a tan while on vacation.  Which is kinda funny if you think about it. 


Personality


The best word to describe him is mischievous.  Berry is a little guy/girl/it with a big personality.  He loves to play tricks on people, such as creating the gold ball in the first place.  When the sisters figure out how the ball was created they try to use the same technique to get the statue to make an instruction manual.  The statue proceeds to create everything but what they need, though he knows darn well what they want. 

Berry is rather picky about who he works for.   The statue itself controls the magic he contains so if he doesn’t like you, he won’t work at all.  Minerva is often wacky, goofy, and funny so the statue warms up to her very quickly and starts making things appear without her needing to put stuff on his tray, almost as if reading her mind. He also likes to hang out with Peri, who’s a party girl, and when he stops trusting Minerva (when she turns bad), he starts snuggling up to Peri and chooses her to be his “handler” instead.

Because the sisters treat him like a person, not an object, he adores them and helps them whenever they can.  He guides them to Xavier when he’s kidnapped, he provides medicine, walkie-talkies, and weapons when they need them, and even offers himself as a weapon to protect Minerva when she’s in danger from one of Drake’s people.  It’s worth noting that Berry never warms up to Atlanta and she’s never really seen holding him or interacting with him because she sees him as just an object and never as an individual.

If he doesn’t like you, or doesn’t trust you then you need to watch out.  When Victor Drake (a sorcerer and shape shifter) tries to trick Minerva by pretending to be a wounded Xavier, she asks Berry for some aspirin.  Berry can see through the magic and knows exactly who it is, so instead of aspirin he gives her rat poison.  When Drake makes a fake statue after the real one disappears, Berry makes it whack him in the head, then giggles – which is actually a really creepy moment.

He feels emotions like anyone else – when he’s happy he shows it with gifts, when he knows someone is sad he tries to cheer them up as in Episode 10 when Minerva is really depressed about being betrayed by people she loved, he reminds her that he is still there for her by making a rose appear on his tray.  When he feels betrayed he gets angry and hurt.

  When he tries to tell Minerva through objects (rat poison) and actions (making her hit “Xavier”) that Drake is trying to trick her, she doesn’t understand and yells at him for being mean.  This makes him disappear and he punishes her for her betrayal by not returning for several months.  He only returns after she has been kidnapped by the Echelon to help the others rescue her.

Although we don’t see it in the TV show, since it was only in the original second season, Berry can feel pain.  There is a scene where Minerva is trying to teach Drake how to make Berry work for him (for complicated reasons) and Berry’s being picky:

MINERVA:  It's depressed.

DRAKE:  How can you tell it's depressed from a beret and a cigarette?!?

MIENRVA:  It's in French poet mode!  Trust me, it's depressed!  And it's tired -- it needs a break and so do I!

DRAKE:  It's been five days, Minerva -- we're not getting anywhere!

 MINERVA:  It doesn't like you!  There's nothing I can do about that!

DRAKE:  Talk to it!

MINREVA:  I've tried!  It won't listen! 

DRAKE:  IT'S A F**KING STATUE!!  It should do what I tell it to!!!

            (the cigarette flies into the shot and hits Drake.  He glares at the statue, then grabs the statue and starts slamming it into the table and cursing at it.  Minerva finally manages to get him to stop and grabs the statue away from him, petting its head soothingly.  She frowns as her fingers get wet when she pets its face, she looks more closely then glares at Drake as she holds it close)

MINERVA:  It's crying!

DRAKE:  It can't cry!  It's a statue! 

MINERVA:  Until you learn that it's more then it appears to be you're never gonna be able to use it!  Now apologize!


Abilities
 
He’s a magic statue so obviously he can do magic.  Lots o’ magic!  His primary ability is to make objects appear and disappear (including himself), in order to communicate, help, hinder, or just be funny.  This is the first ability we see and is obviously the most prevalent.

When Peri decides to use him as a jewelry holder, she sets three objects on his tray – a watch, a gold ring, and a set of car keys.  When she returns, she discovers a gold ball on the tray in place of those objects.  Berry combined them and created a time travelling gold ball (watch=time, car keys=travel, and gold ring=gold circle=gold ball.)  The assumption is that you have to put a combination of items on the tray to make the statue combine them and make something new.  But it doesn’t take long for Berry start producing stuff on his own, regardless of what is on his tray.  It really just depends on his mood. 

A key element to his magic is that he will not make anything while you are looking at him.  You have to look away then look back before getting the object.  The soul of Berry is stuck in statue form and, as an inanimate object, he can’t do anything when he is being watched.  However, that does not include the audience because we see him move a few times in the show when the characters do not.  He can’t move when others are watching, but he can move in some ways.  In Episodes 11 and 12 he peeks around a corner, peers over a file cabinet then drops into the drawer before he’s seen, and so on. In Episode 10, he is flung aside in a fight but when Minerva is in trouble and has no weapons or anything, he flies into her hand and she uses him to bash her captor. 

There is a scene that I always wanted to do, but don’t have the technology for.  I wanted to set up the fact that he can move when no one is watching by having a short sequence where Peri is in her room dancing to some music and behind her Berry is sitting on her dresser.  When she is facing away from him, he starts grooving to the music, swinging his tray around and swaying to the beat.  When Peri senses someone else moving, she stops and quickly turns to see the statue sitting on the dresser, as immobile as he always is.  You can see why I couldn’t do the scene, and unfortunately I can’t put it in the book either – it’s completely visual.

Although he can’t move himself when others are watching, he can move them.  Berry guides the sisters to the Student Center to rescue Xavier by forcing Minerva to move forward as if he’s moving forward, but if she dropped him he wouldn’t be moving at all.  He also makes her move the arm that holding him so he can smack the fake Xavier in the face, and later he forces the fake statue to smack Drake in the face.  So he clearly has telekinetic abilities.

He’s not telepathic because he can’t communicate with his mind, but he can read people very well and see through magic spells.  He immediately knows that Xavier is really Drake in disguise – a magic statue can’t be fooled by magic tricks – and when Minerva has turned evil (through science, not magic) he senses it and won’t go near her, which confuses everyone since Minerva always seemed to be his best friend.  And when Camilla kidnaps him in Episode 8, he bites her when she isn’t looking, but when she has changed and is trying to help the sisters, although he still clearly doesn’t like her, he is willing to help.

Basically if the statue starts acting weird then pay attention because something isn’t right.

And I’m not going to do a relationship section because I’ve pretty much covered it, but I do feel the need to mention one relationship with a main character that wasn’t covered, and that’s Xavier.  There’s only one scene I can think of where Xavier actually holds Berry throughout the entire TV Show.  In the original season 2 he does when he is possessed by the Forces of Darkness, but in the show as it is now, they almost never have physical contact.  At first it might seem because he, like Atlanta, treats the statue like an object, but that’s not entirely true.

He recognizes the statue in Episode 4 and refers to it as “the creepy statue”, which is how he generally seems to refer to Berry in most of the series.  So he acknowledges that the statue has a personality and remarks on it from time to time, but in the end he still sees Berry as an object that only has value to others, not him.  He offers to give The Gift Bearer to Drake who seeks it to gain more power in exchange for him leaving the Silverstone sisters alone forever.  When Minerva finds out she is horribly betrayed, despite his good intentions, because Berry is more than an object, he a friend and has become a part of the family. 


The Legend of the Gift Bearer

            In the dark times in the land of Egypt during famine and drought the kingdom was threatened by war from without and rebellion within.  An alliance was proposed between Egypt and Phoenicia, a young Empire that was growing everyday. 
            A marriage between the Pharaoh of Egypt and the eldest daughter of the King of Phoenicia sealed the union of the two kingdoms.  The gods smiled on the royal couple and the Queen and the Pharaoh fell deeply in love.  Queen Nefrure was beautiful and kind, warm and caring and loved her new people.  In turn they grew to love her and Egypt prospered once again.
            And the darkness was lifted from the land of Egypt, but the forces of darkness were not content and roamed the world in search of new strife.  It's shadow fell over the land of Phoenicia and the crops shriveled and the streams ran dry and the seas turned to mud and the fish died and the ships could not sail.  The youngest princess fell deathly ill.
            In his grief and desperation, the King turned to his daughter and to the Pharaoh of Egypt for help.  "Your gods smile on you" he told them, "but ours have abandoned us."
            "They have not abandoned you, father," the young queen told him, "they will save you still."
            And the Queen Nefrure went to the Temple of the Great Goddess Baste, matron of motherhood and ruler of cats, for cats are clever and know how to use the darkness without becoming a part of it.  The goddess would know what to do.
            "The King must make an offering and a sacrifice," she ordered the Queen,  "for your marriage was not just a union of your kingdoms, it was a union of your gods.  And we shall protect that which we have created. 
            Take the offering, that sacrifice, and from it forge a statue in my image.  It's size will be small, but its power great and it shall work for me and mine alone.  It will heal your sister and bring peace and prosperity to your land.  And so long as Egypt shall hold my statue, Egypt's power shall not be matched.  None will harm you, none will defeat you.
            And you and the Evening Star must travel to your home and see your family once again.  I will send my blessing and send my powers with you."
            And they began their journey and the priest of the Temple went with them and proclaimed Baste's greatness in the world outside of Egypt.  And when at last they arrived at the palace of her father, Queen Nefrure made Baste's commands known unto him.
            And he ordered that an offering and a sacrifice be made to the gods of Egypt and the gods of Phoenicia, and it was done as he commanded.  And a shield was brought forth -- a great and powerful shield of monstrous size and intricate design -- a shield worthy of a King.  And the shield was that which the gods had forged for Gilgamesh and the Sumerian's power shown from within.
            And the shield was melted down and a statue forged and the healing began.  But the girl did not recover and the land was still plagued with famine and drought and the darkness remained and laughed at their sorrow.
            And Queen Nefrure knelt in the Temple of Tanit and cried to the Goddess to answer her prayers, and cried that the statue's powers had failed and the Queen had forsaken her people as Tanit had done.
            And the Goddess was angry and the temple shook and the Queen cowered in fear.  And Holy Tanit reminded her that Phoenicia was not Egypt and Tanit was not Baste and the statue itself contained power, but did not live and because of that it could not use its power. 
        For Power, gifted by the Gods, can only be wielded by a force with life, by a mortal soul.
            And the Queen understood and made Tanit an offering and told her father, the King, Baste's words once again and Tanit's wisdom followed. And the King understood and the statue was melted down once more. 
            And innocence was decided and favored by the gods, for the youngest among us are not as fooled by the darkness that corrupts their elders. 
            And a sacrifice was made to the Great Ones -- Ba'al Hamon and Tanit -- and three small children of three years, four years, and five years of age, two girls and one boy, were slaughtered while they slept and a leg of one was severed and separated and a hand of another and foot and a face and so on until all the separate parts assembled one child.  Only the tongue was missing, to prevent the soul from selling its secrets to another force.
            And the child, nearly whole and newly formed, was laid in the cauldron of the shield and melted and become one with the sacred metal. And the children cried and the people prayed.  And the King and the Pharaoh, the Queen and all the court and all the people of Phoenicia begged the gods for mercy and the gods heard and answered. 
            And a new statue was forged in the image of Baste and in it's hands it bore a tray and in its shell it bore a soul, and the soul breathed life into the power of the gods and the statue was transformed and the statue was alive. 
            And the healing began and the princess was spared and the darkness was cast out of the land of Phoenicia and the people rejoiced in the power of the gods.  And the goddess of Baste was immortalized forever in her servant statue. 


 Oh and just for fun, here are some pictures of Sherman (who I still usually call Berry) taking part in activities like Brittany’s wedding and the SFF 15th Anniversary.







Monday, July 15, 2013

Production Diary – The Devil & Kitta Gray


Once a month I’m going to talk about a specific production, what it was like to film it, and what was involved in making it happen.  This month I’m going to talk about The Devil & Kitta Gray.


THE STORY

Dutch Proverbs
by Pieter Bruegel the Elder
The Devil & Kitta Gray is a short film in the Twisted Tales series, which involves taking a fairytale and putting a different twist on it like changing the genders, modernizing it, etc.  After combing through some of my fairy and folk tale books, I had several ideas for short films.  One common theme in a lot of Western folklore is stories about people tricking the Devil.  Now, I love villains and the Devil is really the most famous villain of all so of course I couldn’t resist doing a Twisted Tale involving him. 

But which tale should I do?  I gave it a lot of thought and read a bunch of tales and in the end decided to go with Kitta Gray – a character found in Swedish folklore that isn’t very famous but is a lot of fun.  I first discovered her in Gray Heroes: Elder Tales from Around the World by Jane Yolen (which is a great read by the way).  William J. Bausch describes her in his book Touching the Heart: Tales for the Human Journey: “Kitta Gray was famous, not for her beauty—she was in fact an ugly old crone—but for the fact that she had outsmarted the Devil.”

Die Lekture by Carl Spitzwig
There are two main stories about how she outsmarted the Devil.  In the first tale she challenges the Devil to a foot race, not for a bag of gold or beauty or youth but simply for the prize of being famous as the woman who beat the Devil.  If the Devil wins he gets her soul.  She wins through trickery of course and gains fame which leads to the next story about her.  In the second story a merchant who can’t sell anything sells his soul to the Devil in exchange for customers.  The deal is that when the last item in the store is sold then the Devil will collect his soul.  The merchant agrees since he has so much stuff, but within a short time almost everything has been sold.  He has heard of Kitta Gray and begs her to help him.  She cleverly figures out a plan to cheat the Devil – who is furious with her but has to admit defeat once again.

Woman with Coffee Cup
by Anders Montan
I decided to use the second story as a basis for my short film, making the twist that she has to help people get out of their contracts with the Devil in order to make up for the sin of Pride, which she has plenty of.  It’s set up like it could become a series of short films involving Kitta getting different people out of trouble.  What drew me most to the character of Kitta Gray is that she is a very unlikely hero.  She’s not a strong warrior or a beautiful maid, she’s an ugly old crone who just so happens to be one of the most clever women in the world.  I changed the appearance of the character to be younger and prettier, but I still wanted her to be someone that you wouldn’t expect to be the Devil’s nemesis. 


THE CASTING

I decided right away that I wanted Rachel Zoralee to play the part – I knew she would be as amazing as always.  And I wanted Tanino Minneci to play the Devil because he’s also amazing and has never really had the chance to play a villain before.  I had discovered that Tanino Minneci was back in the Champaign-Urbana area, which is where I was going to be filming, so I knew it would be possible to cast him. I asked him if he would be interested in playing the Devil and he agreed. 

By this point I decided that if I couldn’t get both Rachel and Tanino to play those parts then I didn’t want to do the movie, because so much depended on the charisma of the leads and their ability to play off of each other.  Rachel's talent, personality, and on-screen presence are so great that she has a tendency to metaphorically “wipe the floor” with any other actors who are new or inexperienced.  I have always had to cast her opposite very talented people or she’ll dominate any scene she’s in whether her character should or not.  It’s not that she’s trying to steal the show, she just has such a presence on screen and is so funny and talented that it’s hard not to watch her.

I needed a dynamic duo for the Devil and Kitta so I knew that if I cast Rachel as Kitta (and I refused to cast anyone else in the part because she was perfect) I needed a very talented actor with an equal amount of presence to play the Devil – hence the casting of Tanino who fit the bill perfectly.  He can hold his own against anyone and seeing Rachel and Tanino square off on screen was one of the most wonderful moments of my filming career.  No, I’m serious – it was amazing. Ah. Maz. Ing.

I had not worked with either of them in over ten years and had never seen them acting together one-on-one.  In fact they had rarely shared the screen before and it was never in equal roles.  I was excited to work with them again and super excited to work with them together.  In fact I was so excited that I think I scared them a little.  I was positively giddy with excitement.  I don’t think they realized just how must I had missed working with them. After all, not only are they both talented and hilarious to work with, they are also super nice.


THE SCRIPT

I decided not to write the script until I knew for certain that I would have both of them on board for the project and ready for the shoot.  It took a while to nail down the date, but I was only going to be in CU for a short time so the options were limited.  We ended up filming on the last Saturday in June – June 26, 2010.  By the time I had both actors scheduled for the shoot it was almost time to head to CU.  I had trouble figuring out the exact plot but I drew inspiration from the first Kitta story and decided to make it a switcharoo.  For several days the story simmered in my head (as is usually the case) but I couldn’t seem to get it together enough to write it.

Finally with little choice, and a lot of free time while I traveled from KC to CU, I wrote the script in a notebook on the train.  Now, for a lot of people that makes total sense and probably doesn’t seem unusual, but I don’t write whole stories or scripts on paper, not since I learned how to type (because my handwriting is terrible).  I write notes in notebooks and compose at the computer, so for me it was a pretty big deal to write a whole script in a notebook, on a train, in about four hours.  It was only five pages, but still it was a whole script. In four hours.  On a train.  I’ll stop repeating myself now. Four hours. Train. I lied.


THE READ THROUGH

There are three characters in the script – The Devil, Kitta Gray, and Chris (although I toyed with including Chris’s daughter in it, but decided against that).  Okay, so there’s four if you count the nameless bad-ass looking girl in the café but I don’t really.  Chris was written to be either a woman or a man – basically a plot device because I needed someone to need help.  Who played the part would entirely depend on who else was available that weekend, which happened to be Kevin Meyer.  I preferred that Chris be male so I was very happy to have Kevin play the part and he did a great job, holding his own with Tanino and Rachel pretty well.  All three actors got along and worked together wonderfully. 

The actors arrived at Base Camp (my parents house) early in the morning where we did a quick read through.  I had typed up the script and emailed it the day before, I think, so most of them did not have a chance to read it before arriving at Base Camp.  There were some funny script errors and the actors seemed to like the script (always good).  


THE COSTUMES

I had gathered costumes and props the day before, but had trouble finding a wedding dress for Kitta Gray, so we used a white sheath dress and long jacket and found some white sparkle tulle for the veil (I already had a tiara), but we had to layer the veil heavily so you couldn’t see Rachel’s face, which made it a little hard for Rachel to see.  The only other costume Kitta needed was a professional looking outfit which she provided herself.

For the Devil’s outfit (he only had one), I preferred to go with an elegant black suit ensemble.  I had a lovely black tailcoat in four sizes, but I could only find one of them at the time so of course the one I found was a little big.  With some help from Mary (my mother and a professional costumer) I was able to get the outfit to work. 
     Chris had the most costume changes – three outfits – but they were all simple and basic things like shirts, pants, and a suit, all of which Kevin was able to provide. (Thanks Kevin!)


THE FILMING

Gussied up and ready to roll, we headed for the UIUC Arboretum to film the last, and longest, scene.  We shot Tanino’s scenes first since he had to leave around noon.  The last scene is supposed to be a sort of weddingish location and I thought the Arboretum was nice and it wasn’t too far away like Allerton would have been.  Unfortunately, I had no idea how little shade there was there or how beastly hot it was going to be.  For more information and a video about how hot it was check out the Survivor’s Club post about it.

The boys in black suits suffered the most, but everyone was hot and somewhat miserable – it’s hard to be completely miserable when you’re laughing at bloopers on the set.  We took a break at McDonald’s before filming the next scene because everyone needed to cool off, including the camera, and I was worried about the guys getting heat stroke.  After that we headed back into the heat to film Scene 2, where the Devil and Chris make a deal, by the fountain at the Hallene Gateway.  

The digital-8 camera I was using, Hamlet (he was named that since he complains so often and is more melodramatic than Horatio ever was), was having serious issues and kept eating the tape.  We managed to film the scene, although between the loudness of the fountain and the camera issues it took a lot longer than expected, and said a fond farewell to Tanino.  Then we headed to Café Kopi to film Scenes 1 and 3. 

I (almost) always call ahead to clear filming with an indoor location, and Café Kopi always seems to appreciate that which is why they let us film there (yay!).  I wanted to establish right away that Kitta Gray looks nothing like you would expect for a hero who battles Satan every other day.  I chose to do that with a voice-over and a bait-and-switch mini-montage of a sassy, sexy, black leather clad woman walking into the café with a determined stride. Cafe Girl (as she’s referred to in the script) was played by Brittany Ann Whalen, who is no stranger to sassy vamp roles, so she was an obvious choice. Plus she was on the set already as my Assistant Director, so that was a bonus.

Anyway, Chris sees the woman and asks if she’s Kitta Gray, but she says no and looks confused – turns out she just walked in to get a coffee.  Originally I wanted to have Kitta Gray waiting in line at the counter to immediately say “I’m Kitta Gray”, but for some reason I chose not to do that and had her sitting at the back of the café instead.  I hate the choice I made there and really wish I could go back and film as it was written. Oh well.

We had to be somewhat quiet so we wouldn’t disturb the other customers, so the energy level dropped a bit as well as the volume.  Of course that could have just been the relief of being in air-conditioning after filming in the hot sun all morning.  The scenes went well, and pretty quickly since it was pretty much two people talking at a table so there was no complicated blocking.  We wrapped shooting and had lunch before heading back to Base Camp to film the final scene, Scene 4.

Filming in my parents house can be tricky because it’s not very tidy but mostly because there is a big fan in the heating/cooling system in the house that is extremely noisy and turns on, runs a while, then turns off for a while.  In order to hear what the actors were saying, and to avoid hearing the obnoxious fan in the background we could only film when the fan was off, which made things take a lot longer then I had hoped.  However, we made it through the scene and Brittany and Kevin got to rest while I filmed Rachel’s voice over for the beginning and took some publicity photos of her for the poster and stuff.

Then we watched some of the footage, only to discover that the camera issues we had been experiencing while we were filming at the fountain caused some of the shots to be cut short.  I usually only film exactly what I need – so if the actors get the lines right I move on, therefore I had no safety shots and the footage for half the scene was either unusable or incomplete.  I tried not to flip out.  Luckily Kevin’s lines were all okay, so I didn’t have to reshoot those, but several of Tanino’s lines were gone so I knew I would have to do a reshoot with him before I left town.  Tanino was very understanding and we scheduled a reshoot for the scene the next weekend. Since there were no wide or long shots needed, we only costumed him from the waist up, which was kind of funny looking, but a whole lot cooler on a hot day.

Although Tanino lived in CU, Kevin did not and I would not be able to get them together to do a reshoot.  There was only one shot that got messed up that I needed them both on screen for but it was a critical shot where Chris signs the contract.  I had to quickly figure out a way to edit around the problem while I could still film with Kevin and film whatever shots I needed to cover it, like a close up on Chris signing the contract – a shot I had not intended to include.  I filmed the shots with Kevin and somehow made the scene work out okay in post. **whew**

So, yeah, that’s pretty much the story.  Here’s the movie if you want to watch it:


And here’s a few bloopers just to show how much fun it was to work with Rachel and Tanino - and Kevin!  (I won’t forget about you Kevin!  You’re awesome too!):



On a side note, there is a third story about Kitta Gray.  It’s a darker story and shows a different side of her, when the Devil comes to her for help.  There is a happy, old couple that have never fought, although he’s tried for years to make them argue.  He makes a deal with Kitta that if she can get the pair to argue then he will give her a new pair of beautiful wooden shoes (it’s Sweden).  She does the job so well that the Devil actually becomes afraid of her and slides the shoes into the middle of a lake of ice, then shoves her across the ice when she reaches for them in order to give him enough time to get away from her.  That makes it clear that Kitta isn’t just a hero, she’s a very interesting and multi-layered character who has a dark side.

If you want read these stories about Kitta Gray, which I highly recommend, then check out the following books:

by Jane Yolen

by William J. Bausch

edited by John Lindow

edited by Reimund Kvideland and Henning K Sehmsdorf


 **All the paintings on this page are curtsey of Wikimedia Commons.  Click on the following to view the original source pages: