This is the second version of the Curse sequel that was eventually titled Eidolon. Before Eidolon as we know it was written, there were two different versions of the story, and they were VERY different in many ways.
I couldn't finish the first episode of either one, so I keep trying a different plot. I got farther with this one then with How to Save the World, but I still didn't make it through the whole episode - not even close. If you're curious about what Eidolon could have been like, feel free to read what I have of the first episode for Ghost Hunter.
GHOST HUNTER
"Life Goes
On"
Written and Directed
by Eleanore Stasheff
CAST
Maria Sanchez/Marion
Smith -- Morgan Thomas
Mordecai --
Cory -- Michelle
Chapman
Zandra/bride --
Groom --
Foster --
and
Brittany Whalen as
Zelda Casteel
Previously:
OPENING CREDITS
Scene 1
Setting: In front of a Church
Fade
up from black. The Church doors
open and several people emerge.
They line up on the steps.
Cory and Maria emerge in matching dresses. A moment later a bride (Zandra) and groom emerge. Everyone throws rice? at them as they
walk down the steps to a waiting car.
The car drives off and the people start to disperse. Cory and Maria are talking.
CORY: I still
can't believe it.
MARIA: Whoever
thought Zandra would get married?
CORY: You need
a ride to the reception?
(Maria
glances across the street and sees a man in a black suit looming in the shadow
of a tree. She smiles as she turns
back to Cory)
MARIA: No, I
have a car. I'll meet you there.
CORY: Okay, but
I'm gonna spike the punch so don't be late!
(Cory
walks off, heading for a car. After
she's gone Maria walks across the street to the man. He turns to look at her -- it's Mordecai (duh). She looks at him and smiles saddly.)
MARIA: What are
you doing here?
MORDECAI:
Torturing myself.
(pause) I guess I was still
hoping she and I would get together someday. I was shocked when I heard about the wedding.
MARIA: I take
it you didn't get an invitation.
MORDECAI: I
didn't expect one. I promised to
stay away from her forever, remember?
I'm keeping that promise.
MARIA: Then why
come?
MORDECAI: I had
to see it to believe it. (sighs
and looks away) Oh well.
MARIA: You
should be relieved. Now you can
date whoever you want. And with
your money and power women must be falling at your feet.
MORDECAI:
(pause) They won't for
long.
MARIA: Why?
MORDECAI: I'm
being relegated to the Middle Class.
The MaGi are taking half my powers away.
MARIA: When?
MORDECAI: At
midnight. Don't ask why. I don't want to get into it.
(long
silence. Maria looks away, then
looks back at him)
MORDECAI:
Shouldn't you get going?
MARIA: I have
time. I don't like parties
away.
MORDECAI:
You'll miss Cory spiking the punch bowl.
MARIA:
(grins) It's not like I
haven't seen it before.
(silence)
MARIA: Look,
I--
(he
silences her with a wave of his hand)
MORDECAI: I
don't want pity. I just want to
forget. (gestures to her car) You better go.
MARIA: Keep in
touch.
MORDECAI: We'll
see.
MARIA: Promise.
(he
smiles and touches her cheek, then disappears. She frowns)
MARIA: I can't
belive Zandra gave up a magical millionare for a mortician!
(she
walks off)
*********************************
TITLE: Twenty
year later
*********************************
Scene 2
Setting: School Office
Maria
walks out of her office ad closes the door. Suddenly the phone rings. She frowns and looks at the door. The phone keeps ringing. She sighs and unlocks the door, opening it and stepping
inside. She walks over to her desk
and answers the phone.
MARIA:
Hello? (pause) Yes, this is Maria Sanchez, can I help
you?
(there
is a long pause and Maria slowly sinks into the desk chair, a shocked look on
her face.)
MARIA: Oh my
God. (pause) I see. (pause) Yes, I
understand. (pause) When is the
funneral? (pause) Where? (pause) All
right. (pause) Yes, I'll be expecting him (pause) her. Thank you.
(she
hangs up and sits in the chair for several minutes, staring off into
space. She sighs and shakes her
head, then stares at the desk.
After several moments there is a knock at the door. She looks up and sees a woman in a
business suit standing in the doorway holding a briefcase.)
MARIA: Can I
help you?
FOSTER: Maria
Sanchez?
MARIA:
Sanchez-Carlisle.
FOSTER: I'm Ms.
Caroline Foster, from Smith, Anderson, and Associates. I believe you were expecting me?
(Maria
frowns and looks at the phone, then looks at Foster.)
MARIA: Yes, but
I just got the call a minute ago.
(pause) You people work
fast.
FOSTER: I
appologize for the abruptness of my arrival. You should have received the call earlier today.
MARIA: Well, I
didn't. (pause) Oh, come in, have a seat.
FOSTER: Thank
you.
(she
sits down and sets the briefcase on the desk)
FOSTER: Ms. Anderson's
death was very sudden, but she did leave specific instructions as to the
disposal of her will.
MARIA: How did
she die?
FOSTER: You
weren't informed?
MARIA: No.
FOSTER: In a
car accident.
MARIA: Holy
shit. . .
(long
pause, Maria stares at the floor.
She looks up at Foster)
MARIA: Why are
you here? Shouldn't this
wait until after the funneral?
FOSTER: Ms.
Anderson required us to contact you immediately after her death, and before the
funneral.
MARIA:
Why?
FOSTER: Are you
aware that Ms. Anderson declared you to be the legal gaurdian of her daughter
in the event of her death?
(Maria
sighs and sits back)
MARIA: I
completely forgot about that.
(pause) Shit. (pause, looks at Foster) How old is her daughter now?
FOSTER:
Sixteen.
MARIA: What
about her father? I know he and
Zandra got divorced, but shouldn't Jeremey get custody?
FOSTER: Jeremey
Casteel is not Chrizelda's father.
That was the reason for the divorce.
MARIA: Oh. Well, shouldn't her father have
custody?
FOSTER: Ms.
Anderson never disclosed the identity of the father. She specifically requested you be legal gaurdian of her
daughter in the event of her death.
Are you willing to assume that responsibility?
MARIA: I'll
have to talk to my husband, but I guess so. I mean, I did agree origionally.
FOSTER: You
don't have to sign anything until after the funneral. Meet her first.
She's a wonderful child.
MARIA: At
sixteen she's hardly a child.
FOSTER:
According to the law she is.
(Foster
stands up)
FOSTER: Thank
you for your time, Ms. Sanchez.
The funneral is in two days. (she hands her an envelope) Ms. Anderson's estate has provided an
airline ticket. That and all
additional information in regards to the funneral is in there.
MARIA: Thank
you.
FOSTER: Thank
you for your time. I'll see you on
Sunday.
(she
leaves. Maria looks at the
envelope, then tosses it on her desk and puts her head in her hands.)
Scene 3
Setting: Maria's house
Maria
walks in and closes the door, setting her briefcase down. She takes off her jacket and hangs it
up, then takes the envelope out of her pocket and looks at it as she walks into
the dining room. She sets it on
the table and looks at it. From
the kitchen the sound of dishes can be heard.
MORDECAI: (from
in the kitchen) You're late.
MARIA:
Something came up.
MORDECAI: Well,
tell me about it over dinner. The
reservations in a half hour, so hurry up and change.
(Maria
just stands there, looking at the envelope.)
MARIA: Shit.
MORDECAI:
What?
MARIA: I just
had a meeting with a lawyer.
(long
pause, all sound from the kitchen stops)
MORDECAI: You
want a divorce?
MARIA:
(smiles) No.
MORDECAI:
(sounds resume) Thank
God. So what did the lawyer want?
(long
pause)
MARIA: How do
you feel about having a daughter?
(crash. the sound of dishes breaking in the
kitchen as they hit the floor)
MARIA:
(smiles) Note to self: buy more dishes.
(Mordecai
quickly walks into the dining room, staring at Maria in shock.)
MORDECAI:
You're pregnant?!? (pause
pause) Wiat, did you say doctor or
lawyer?
MARIA: Lawyer,
and no I'm not pregant.
MORDECAI:
You're not?
MARIA: No, I'm
not.
MORDECAI:
(clearly disappointed) Damn
it.
MARIA:
(flattered, grins) Well, if
you're that upset then we can talk about it later tonight.
(he
grins and walks over to her, pulling her into his arms. They kiss. He pulls back and looks at her)
MORDECAI: So,
what does a lawyer have to do with a daughter?
MARIA: It's
hard to explain.
MORDECAI:
(grins) Have you been
shoplifting children, again?
MARIA:
(angrily) Can you be
serious for a minute?!?
(Mordecai
stares at her, angry and annoyed at her outburst. After a minute he sighs and looks at her, still slightly
irritated)
MORDECAI: Okay,
you're obviously upset about something.
What is it?
(Maria
sits down at the table and stares at the envelope.)
MARIA: Zandra's
dead.
MORDECAI:
(pause pause) What?
MARIA: Zandra
Anderson is dead. She died in a
car accident two days ago.
(Mordecai
sits down next to her, staring off int space)
MORDECAI: My
God. . .
MARIA: I know,
it's unreal. First Cory, now
Zandra. I guess we're next.
MORDECAI:
(flashes her a glare) Now
who can't be serious?
MARIA: Shut
up.
MORDECAI: You
started it.
(she
looks at him and smiles slightly.)
MARIA: I'm
sorry I snapped at you. I'm just--
MORDECAI: I
know.
(they
hug and finally Maria pulls back.)
MARIA: That's
not all. After Cory died Zandra
asked me if I would be willing to be her daughter's legal gaurdian if she died.
MORDECAI:
(pause pause) Oh. I see the daughter connection.
MARIA:
Right. Chrizelda's sixteen,
so she would only be living with us for two years, and then college and after
that she'd be her own legal gaurdian.
MORDECAI: So
we're supposed to raise Zandra's daughter?
MARIA: She's
sixteen, Mordi, she's already raised.
We'd just take care of her for a couple of years. Maybe it would be a trial run to having
our own kids.
MORDECAI: I
don't know. Raising Zandra's
daughter? I used to think about
it, but I always assumed I'd be the father.
MARIA: You're
not?
MORDECAI:
(angry) What is that
supposed to mean?!?
MARIA:
Nothing. Joke.
MORDECAI: Well,
it wasn't funny. (pause) I don't know, Maria, it would be way
too weird and. . .yeah, it would just be weird.
MARIA: I agreed
to it.
MORDECAI: And
you didn't consult me?
MARIA: It was
before I married you! It was
before we even hooked up!
(pause) Look,
just come to the funneral with me.
We'll meet her and we'll take it from there.
MORDECAI: You
haven't even met her?!?
MARIA: I saw
her briefly after Cory's funneral. She was still a little girl. I'm sure she's changed.
(long
pause)
MARIA: I know
it'll be a big change -- and it'll be weird for awhile, but maybe this is
supposed to happen, and if so then it's not our place to ignore fate.
(he
sighs and looks at the table, then looks at her)
MORDECAI: Can
we still go to dinner? Cause I really need a drink.
(Maria
smiles and kisses him lightly, then stands up)
MARIA: I'll go
change.
Scene 4
Setting: Funneral
Four
or five people in black stand gathered around a priest or minister who holds a
vase in his hands. He takes a
handful of ashes and scatters them to the wind, reciting a prayer. Among the people are Maria and
Mordecai, standing together, hand in hand. Ms. Foster is there as well, standing next to a young woman
who is mostly hidden behind a large black umbrella. Yeah, cause it's raining. The priest finishes and all but Maria, Mordecai, and Zelda leave.
MS. FOSTER: (to
Maria, with a glance at Zelda) I'll let you two get to know each other. We can take care of the paperwork
later. Can you give her a ride
back to the hotel?
MARIA: Of
course.
MS. FOSTER:
Thanks. I'll see you later.
(she
leaves. Maria and Mordecai
exchange glances, then look at Zelda who is standing at the edge of the
forest/cliff/place staring off into space. Maria lets go of Mordecai's hand and walks over to her)
MARIA:
Zelda? Do you remember me?
(Zelda
looks at her. She looks just like
Zoey Zurrell. Maria is stunned,
shocked, and silent.)
ZELDA: No, but
I know who you are.
(Maria's
very shaken and doesn't speak.
mordecai notices and walks over to them. He looks at Maria, then at Zelda reluctantly)
MORDECAI: I'm
Michael Carlisle, Maria's--
ZELDA:
(condecending) I know who
are too, and Carlisle is a stupid name for a sorcerer.
(Mordecai
is taken aback, then frowns)
MORDECAI: How
did you--
ZELDA: I'm not
stupid. Mom used to tell me
stories about you two when I was younger.
Like I was interested in her stupid curse. . .
(they
stare at her)
MORDECAI: Are
you sure you're sixteen?
ZELDA:
(sarcastic) Ask my mom. . .oh wait, you can't.
MORDECAI: (puase pause) I'm sorry about your loss.
ZELDA:
(shrugs) Why? I'm not.
(he
just stares at her. She smiles and
steps close to him)
ZELDA: Mom
always said you had a thing for her.
I don't know why she didn't go for you. I would never turn you down.
(she
gives him a coy, sultry look, then walks out. Mordecai is both shocked and uncomfortable, then looks at
Maria who is still stunned.)
MORDECAI: We're
not adopting her.
MARIA:
(wondering what the hell is going on) We don't have a choice.
MORDECAI: She
just hit on me!
MARIA: You're
not flattered?
MORDECAI:
That's not the point!
MARIA:
(watching Zelda, but talking to Mordecai) Can you go get the car? I need to talk to her alone for a moment.
MORDECAI: Fine,
tell her she's on her own.
MARIA: I can't.
MORDECAI:
Maria, she's not our problem!
MARIA:
(sighs) She is my problem,
and I'm going to make it right.
MORDECAI: What
are you talking about?
MARIA: Don't
ask questions unless you want to be more confused.
(He
looks at her, then sighs and walks away.
Maria goes after Zelda)
Scene 5
Setting: Graveyard.
Zelda
is walking through the grave yard, pretending to shoot tombstones. Maria walks up behind her.
MARIA: Are you
sure you don't remember me?
ZELDA: (looks
at her, looks bored) No. Should I? I was what, six?, the last time we met.
MARIA: Something
like that.
ZELDA: I don't
need a mother, okay? If you don't
want to take care of me, fine. I'm
used to be on my own.
MARIA: No, I
made your mother a promise and I'll stick to it.
ZELDA: Don't
give me pity. I'm not a charity case and I don't give a damn what my mother
wanted.
MARIA: I take
it you didn't like her.
ZELDA: No one
liked her, not even her husband liked her, or didn't you notice the lack of
attendance at her funneral?
(Maria
looks her up and down)
MARIA: Your
mother and I weren't really good friends, so if you're worried I'll be like
her, I won't be. I know you don't
need another mother, or even a family if you don't want one, so don't think of
me as a parent, think of me as a new friend.
ZELDA: Why
would you give a damn what happens to me?
MARIA: Because
I do. Don't ask why, I just
do. I wanna help -- not out of
pity or anything like that. I just
know what it's like to be all alone.
I won't give you rules or curfews or anything like that, so what do you
say? (she holds out her hand) You
want to come with me?
(Zelda
looks at her hand, then back at her.
She ignores the offered hand.
Maria lowers it)
ZELDA: Okay,
but if I don't like you, I'm not staying.
Deal?
MARIA: Deal.
(they
walk out.)
And that's where I stopped writing. Never made it past
Scene 5. Dang. Here's the convoluted plot presmise/feeble outline if you want to know what else would have happened:
Zelda is actually the reincarnated soul of Zoey who had been
promised a second chance by Namtaru if she helps him destory Maria/Marion. In return she gets to live again and
gets Mordecai if she wants him.
Zelda is Namtaru's daughter.
The first time Zelda and Maria shake hands it wakes up Maria inside
Marion and the two become seperate personalities, able to talk to each other in
the mirror -- Marion no longer has her reflection, she has Maria's. They call on Morpheus to help them
figure out what's going on. Zelda
keeps hitting on Mordecai and tries to put him under a spell. it doesn't work. Namtaru tries to threaten him. it doesn't work. he goes to Maria to find out what's
going on, sees her other reflection, freaks, she tells him what's happening.
All
hell is about to break loose as Zelda reveals she is Zoey and wants revenge,
and Marion/Maria finds out she is pregant. Mordecai is thrilled, but everyone is confused because the
pregancy is now split and both Maria and Marion are pregant -- twins. The council wants to protect them until
they find out what the GO has planned and sends Atropos with Clothos and
Lucretia to protect them.
The
pregnancy puts a crimp in Namtaru's plans because Zelda won't get Mordecai now
and Maria/Marion are well protected so Zelda can't kill them. Namtaru wants to seperate them so that
he can kill Marion personally, but the pregancy makes it nearly impossible to
do that without killing both of them.
where to go
from here?
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