Each month this blog will feature
a character from one of the SFF productions. This month I’m going to talk about a recurring character
from The Curse and Eidolon who has a small role and a big heart – Tony Tarino
played by the very talented Neil Cappetta.
Anthony Tarino, known simply as Tony, is one of those good guys that doesn’t
get the kind of praise and recognition he deserves simply because he doesn’t
look like the typical, media-fueled hero.
He just tries to do the right thing and ends up paying the highest price
for his good deed gone horribly wrong.
However, even when he’s killed by a psychotic serial killer just for the
fun of it, he doesn’t give up and he doesn’t back down – he’s determined to get
justice for himself and to save anyone else from dying at the hands of his
murdered.
History
We know almost nothing about
Tony. All that’s made clear in the
episode of the Curse where we first meet him (Episode 5 – Strangers in the
Night) is that he likes to walk around the campus late at night filming things
with his camera – so he’s probably a TV or broadcast major. We know he’s a student at Clifford
University and that he had a paper due a few days after he dies (which he
obviously won’t be able to turn in).
We also know that he had been having a pretty bad day up until the point
where we meet him – and a horrifically bad day after that.
Since I created the character I
should probably fill in the gaps.
I really like Tony as a character – I always have. His story arc is a
very important part of Zandra’s emotional growth. He basically holds up a mirror to Zandra so she can see what
she really is – a bitchy coward who blames everyone else for her problems and
won’t do the right thing when she needs to it. This realization is backed up by Cory’s speech to her which makes
Zandra unable to ignore the ugly truth about herself that Tony shows her. She has to take responsibility, move
forward, and face the consequences.
I envision Tony as having been
bullied at school because he wasn’t like all the other kids. He’s definitely a geek and a nerd and
loves to play video games, write stories and scripts, read comic books, and
watch and make movies. He has a
huge imagination, is very smart and creative, and is very resilient.
At the end of the episode of The
Curse, Zandra fights Mike the serial killer and he ends up falling down the
stairs and breaking his neck. His
ghost appears and Tony gets to kick his ass. When the portal to the Dream World opens to claim Mike’s
soul and Mike starts to run, Tony grabs him and hurls them both into the Dream
World. Mike’s soul is destined to
become a Labartu (see episode 2 of the Curse), but what happens to Tony’s
soul? I always intended to bring him
back in the big series finale, but the series was cancelled due to my own
un-medicated idiocy.
When I started writing Eidolon to
wrap up questions that were left unanswered in both The Curse and Dream
Chasers, I knew one of the characters I wanted to bring back (if only for a
cameo) was Tony Tarino. He appears
in Episodes 8 & 9, working for Morpheus (the God of Dreams) as a dream
spirit (known as a deva) and helps the lost souls of sleepers find their way
out of the Dream World to wake up in their own world again, and generally fight
off nightmare demons and other bad things that stalk the dangerous Dream
World.
Morpheus asks him to lead
Mordecai and Maria’s souls to the Spirit World so they can talk to White
Feather. He greets Mordecai when
he crosses over, and patiently waits for Maria to come through, but she doesn’t. He’s about to go ask Morpheus what
happened when Namtaru – the God of Nightmares – stops him and forces him to
listen while Namtaru lies to and makes a deal with Mordecai. As soon as he can, Tony runs off and
contacts Morpheus to let him know what happens.
Tony is called upon shortly after
that to lead Skyler and Zelda to the Spirit World to speak to White
Feather. He takes them as far as
he can - to the Lake of Souls where Urshanabi is waiting - and tells them
everything they need to know to survive the Crossing and to navigate the Spirit
World.
Appearance
Tony is medium height, medium build with brown hair, with
rimmed glasses and a scruffy sort of wanna-be beard. He wears a orange cargo pants, a bright orange shirt with a
hood and a radio-active image on the front. Under the sweatshirt is a black T-shirt that says The Jerry Springer Show on it.
Personality
Tony’s a decent guy just trying to get along in the world
and do the right thing. He’s often
focused on the story in his head when he’s either writing or filming, and
sometimes gets so focused on what he’s doing or thinking that he doesn’t pay
attention to people and things around him. He may seem a little clutzy but he’s just not pay attention
all the time. He suffers from a
little bit of ADD but he when he puts his mind to getting something done he’s
do whatever it takes to see it through.
Although, contrary to the whole “doing the right thing” he does offer to
help Zandra cheat on her test by reading her answers from the other test takers
– I’m going to assume he was only kidding.
He doesn’t give up on himself or others and will fight for
right to live or to protect someone else’s life. He often feels the world is unfair to him, but inside he
never gives up hope that he can make a difference, even after he dies. He’s a classic underdog that has
learned not to let the little things in life get him down – or at least not to
show it – and believes in doing the right thing whether it’s returning the
wallet of some flaky bitchy girl or making sure that a murderer is put in jail.
He’s also very smart.
When he gets held up by Mike, he keeps filming, trying to get him on
tape to help the police catch him. Unfortunately Mike realizes what he’s doing
and knocks the camera out of his hands, breaking it – the tape, however, is
still in one piece and ends up helping catch the killer after all. It takes him a while to realize
that he’s dead, or to at least acknowledge it, but when he does he quickly
realizes that Zandra can see and hear him and he is determined to get her to
help him, refusing to leave her alone until she does. He’s not very patient, and appears to have some anger
management issues, however he has had the world’s worst day so I he’s probably
not always like that.
As for his love life – he doesn’t really have one in the
end. He dated a few girls in high
school and into college, but never found someone he could really love (and who
would also love him). When Zandra
makes a comment about being thankful he didn’t ask for her number he replies
that wouldn’t have wanted it anyway.
Bitchy girls are not his type.
However, when Cory confronts Zandra about the murder and convinces her
to tell the cops what she witnessed.
When Zandra refuses Cory yells at her and says that she couldn’t be
Zandra’s friend anymore if Zandra isn’t willing to do the right thing by
helping Tony and stopping his murderer.
Tony says Cory is awesome and asks if she’ seeing someone, so clearly
his type is the kind of girl who can take a stand and not back down when it’s
something truly important (and she’s a hot blonde, so that’s okay too).
His innate goodness and willingness to help and even
sacrifice himself for others leads him to work for Morpheus – a job that gives
him both meaning and contentment. Here's a great scene from The Curse where Tony confronts Zandra after finally accepting the fact that he's dead:
Abilities
He is an absolute wizard with a yo-yo. He’s amazing – a champion yo-yoer, and
luckily dies with his yo-yo in his pocket otherwise he’d be bored for
eternity. He’s a really good
camera operator too, very imaginative and clever. Tony has a charismatic personality when he chooses to use it
– he can be abrasive and harsh went he’s pissed off, but he has the ability to be
straightforward and honest with people.
Relationships -
Allies & Enemies
THE CURSE
Zandra Anderson changes his life simply by entering at a
crucial moment. He bumps into her
– literally – and helps her pick up the stuff that scattered. She walks off and he realizes that
she’s forgotten her wallet. He
could have kept it, or (since she was a bitch to him) just left it there. He could have walked away, but he
didn’t. Instead he called out to
her and then followed her in order to give her wallet back. While he was following her he gets
stopped by Mike and killed. One
could easily argue that if he hadn’t gone after her then he wouldn’t have
died. So they start their
relationship on a bad note (knocking each other down), and it gets worse (she
witnesses his murder), then it gets really bad (he haunts her and won’t leave
her alone until she goes to the cops and tells them what she saw), and finally
really f#$ing terrible when she gets chased by the guy who killed Tony and he
can’t do anything to stop it because he’s a freaking ghost.
Despite all of this, the two of them form a friendship built
out of having basically gone through a terrible ordeal together. Zandra is the only one who can help
Tony, and, although she doesn’t realize it, Tony is the only one who can help
her realize what she is really like and be meeting him she is forced to
confront her curse and realize that she can’t escape it. She also realizes it can be used to
help people. By the end they’re
friends and Zandra’s almost sad to see him go. He changes her life in a positive (albeit scary) way.
Cory Devro is his new hero. The fact that she knows what’s going on without being told –
that Tony’s ghost is haunting Zandra because Zandra witnessed his murder – and
that she has enough strength of character and can exert enough control over
Zandra through their long history together that she is able to finally do what
Tony has unsuccessfully doing – getting Zandra to go to the cops. He clearly thinks the world of Cory
both in his reactions to her and in what he says to Zandra (“tell your friend
she’s awesome” and “you have good taste in friends”). He also asks later if Cory his seeing someone, then realizes
that since he’s dead it would never work out.
Mike is the man that murders Tony. He’s a serial killer who chose Tony at random and killed him
just for the thrill of it. They
don’t even know each other’s names.
When Zandra is confronting Mike at the end of the episode she mentions
Tony’s name and Mike is confused. He
doesn’t care who he kills so why bother with names? Obviously Tony hates his
guts. He will do anything to see
that Mike is brought to justice.
There’s a scene where Tony is yelling and screaming at Mike in the
student center where Zandra is studying and since Mike can’t see or hear him he
obviously doesn’t respond. It sort
of sums up their relationship – Tony hates Mike and Mike doesn’t even know he
exists. In the end, of course,
Tony gets to beat the crap out of Mike when Mike is killed in a fall down a
flight of steps and becomes a ghost.
Once Mike has to face the ghost of someone he killed – and be on the
receiving end of a beat down, he starts to get what he’s done. He’s not sorry, he’s just scared of
Hell and pissed he got caught.
EIDOLON
Morpheus is the God of Dreams and becomes his boss when he crosses
into the Dream World by hurling both himself and his killer through the
portal. They obviously have a
pretty good relationship of the manager and worker sort. Tony and Morpheus both have a great
respect for each other. The fact
that twice Tony is given a direct command by the “big boss” suggests that Tony
is one of his best workers.
Namtaru is a bastard – I mean the God of Nightmares. He is Morpheus’ opposite both in his
job and his personality.
Namtaru may not look dangerous, but he has the powers of a god and is a
total asshole. He has the power to
destroy Tony so when he appears to Tony and Mordecai in the Dream World, Tony
is naturally a little afraid of him.
Tony could have tried to fight him, but if he died then no one would be
able to warn Morpheus what Namtaru was up so. When Namtaru orders him to stay put he does, but Tony takes
the first opportunity to run and get the cavalry as fast as he can.
Mordecai is not really very important to Tony, one way or the
other, but when Tony’s assigned to protect and lead Mordecai and Maria to the
Spirit World he becomes responsible for what happens to Mordecai – at least
that’s how he feels. He doesn’t
like to have let Morpheus down and does what he can to make up for it.
Zelda Graves and Skyler
Jackson are annoying.
They’re constantly bickering as Tony leads them through the Dream World
and to the Lake of Souls. He sees
having to put up with them as punishment for not protecting Mordecai, so he
tries his best to be patient. He
tells them all the rules for surviving in the Other Worlds but he’s really not
sure if they paid attention. If he
never sees them again that would be just fine with him.
Terri Madison is surprisingly helpful and resourceful when he
appears to her in the Mortal World and asks her to help with the situation when
Morpheus can’t be reached and Mordecai needs help. In a strange sort of way I could see them being good friends
leading to more if circumstances where different.
**I think I repeated myself and rambled a lot. Oh well.
Once a month I’m going to talk about a specific production,
what it was like to film it, and what was involved in making it happen. This month I’m going to talk about The Perfect Combination.
The Perfect Combination actually started out as a novel that I was
writing and decided to turn it into a movie, which is funny because it’s
usually the other way around.
There were some major adjustments (I didn’t have a cruise ship to film
on), and using a comical frame plot to skip over large chunks of the story via
narration. There are whole scenes
that were transposed from the novel into the script, but overall most of the
scenes were similar but cut down for time and realistic locations.
I distinctly remember when I made the decision to do a movie
version of a book I hadn’t finished writing yet.We were filming the Renaissance flashback scenes for The
Dragon & The Unicorn in January of 1998.Annamarie MacLeod and I were talking during a break from
shooting. She mentioned that Jacob, her brother, was wanting to be in another
movie and I was already looking for a project that could star Jill Hutchison
(because Jill is wonderful).So I
decided to do The Perfect Combination as a slapstick comedy with a dash of
romance. I say a “dash” because
it’s the only production I’ve written where two people fall in love and get
married, yet don’t actually have an on screen love scene or even something
vaguely romantic that doesn’t involve pizza or guns.
I quickly wrote a script (which wasn’t hard since half the
dialogue and most of the plot were already done), and cast it using the usual
pool of people.Jacob and Jill
were set the play the leads, Michael Winters and Catherine Summers, and I cast
Chris Hutchens as Raymond – Catherine’s brother who is a top member of “The
Agency” (a sort of CIA type thing) and the frame plot story teller.Danny Skirvin and Nina Samii were cast
as the villain and his sidekick – David McGaskill (aka the Reaper) and
Houstan.I had Jen Weber play the double
agent Lyric, and had Annamarie and Paul Nelson play Mimi and Carl – Michael and
Catherine’s “little” children in the frame plot scenes which was really funny.
Rounding out the cast was Rachel Anderson as the confused cab driver/pizza girl
who has really bad luck and a terrible accent, and Chris Lamb, Mike Baym, Ryan
Segovich, Edward Stasheff and anyone else I could find to play random guards,
police officers, and various extras. Oh yes, and me. This is the
only production where I willingly cast myself in an acting role, playing a
semi-retired secret agent named Music who turns out to be Michael’s long lost
mother. Every other part I’ve
played - be it extra or whatever - I only played because I couldn’t find anyone
for the part or someone dropped out at the last minute and there was no one
else I could shove in front of the camera except me. I actually wanted
to be Music. I loved the character
in the book and decided to cast myself, even though it might have been better
for someone else to do it since it required some logistics in filming without
me behind the camera.
We had our first filming day was sometime in February. We filmed all the frame plot scenes
with Chris, Annamarie, and Paul as well as a couple of scenes with Jill and
Jacob. Both Annamarie and Paul had
a blast pretending to be little kids, and there was a lot of joking and goofing
around on the set. Annamarie even
tied Chris’s shoelaces together at one point, and everyone learned just how
hard it is to say iron-plated, fuel-injected, heat-seeking
ironing board.
We also filmed the “cab” scene where Michael kidnaps
Catherine, races through town, and then gets into a car crash – all filmed in a
stationary van parked in front of a high school (tee hee). Ah, slapstick,
no-budget comedy at it’s best.
Over the next few months filming days were sporadic and the
shoots sort of blur together a bit.
They only way I can tell what was shot when in relation to the other
scenes is by the order are on the tapes.
I filmed some scenes with just Jacob - opening credit stuff and his
lines for a phone call that included about ten takes of throwing a phone on a
couch to get it to land just right.
Then we had a Saturday afternoon shoot with Chris, Jacob, and Jill that
included the jail scenes, voiceovers, and a lot of fun bloopers.
We spent quite a while filming the scene with “The Board” –
Lyric (Raymond), Music, and Libretto – where they meet Michael and he joins “The Agency”. The difficult part was that I was in the whole scene
and Annamarie wasn’t free that day to work the camera. So I had the “brilliant” idea to hook
the camera up to a TV and have a monitor in the room so I could see the
shot. It’s what the professionals
do after all, so why not? But it was a big TV, since that was the only one
upstairs and was on a wheeled cart which made it easier to bring into the room,
and that distracted the actors.
Whoever wasn’t on screen at the time operated the camera under my
direction, but since they could see what was recording they had a fun time
goofing off. We were also in a
room that had some old kids toys stored there and the actors found those
and…things went downhill fast.
Sometime in the late spring we had another all day shoot on
some Saturday at the Homestead. We
filmed most of the scenes at the Reaper’s mansion, including a couple of fight
scenes, and ended the day with filming a scene between Catherine and Music.
Since I was in at least one scene that day, Annamarie agreed to be the camera
operator. There was a lot of
silliness, including strange vibrating toy guns, Smints, and having two guards
killed in one scene then suddenly alive again two scenes later. It was a really long day but, as
always, it was a lot of fun.
Throughout May and June shoots were short and very sporadic,
mostly filming some cut away scenes and a few big ones here and there like the
scene towards the beginning where Michael and Catherine literally run into each
other, almost get caught, then escape, and the scene where Michael poses as
Catherine’s lawyer. Jacob and Jill
endured short notice shoots, some late hours, and uncooperative props, but they
were terrific to work with and ended up having great on screen chemistry – they
were hilarious and were really able to play off each other. They had filmed a lot of scenes
together in Destiny and Destiny III, so I knew they were a good combination
(possible even a perfect
combination).
A lot of actors were brought in for only an hour or so
simply because I needed someone else in the scene. Edward is my brother and when I needed a police officer for
one of the jail scenes I just grabbed – I mean asked – him to do the part. I also had Ryan Segovich volunteer to
play some extras like an undercover cop and one of the Reaper’s goons.
“I remember filming outside of your house,” Ryan said when
asked what he remembered most about filming Perfect Combination. “I had to handcuff Jill and dropped the
keys or the cuffs just out of reach.
We kept filming as I struggled vainly to reach them. Hilarity ensued.”
But the best filming day was saved for last. There were several scenes that were
supposed to take place at a different mansion that The Reaper owned. The heroes had discovered a spy in
their midst who had stolen a necklace of fake diamonds that secretly concealed
micro-film (I know, silly right?).
The scenes were totally campy.
They were filmed in parts on three different days – one for Danny’s
lines and bits, and one for Nina and Rachel’s lines and bits because none of
those actors could be there for the main shoot.
“I remember I died and had to do the scene about 10,000
times, cuz I wanted to keep my eyes open and I kept blinking,” Danny recalled,
“I think I blinked in the final version.”
The main shoot was at Kate Weber’s house (thanks Kate!) and
was a blast and a half. The day
included fake disguise glasses, the top half of a fake tree, facial mud, a refrigerator,
a lampshade, guns, wigs, and some badly made props. Several people got to have
over-dramatic death scenes, and the day produced one of my favorite lines of
all time: “The couch won’t let me go and the Christmas tree stole my necklace!”
“Diamond necklace in the ice-maker in the fridge door,” Kate
said when I asked her what she remembered about filming. “Being chased around my own house while
wearing a Metallica t-shirt.
That’s about it. Was I even
in it otherwise?” (nope Kate, that was pretty much it)
The day ended with a one or two hour shoot of chasing each
other around the house with everyone trying to steal the necklace, and
brainstorming new bits, each one wackier than the last. We needed a few extras to be part of
the chase scene so Kate and Rebecca agreed to join in. It’s one of the most
memorable shooting days for me, and one of the best. It was so much fun, and it was very freeing to film us goof
around on the set for a few hours without worrying about lines or drama, just
being as silly as we could.
I can think of one person who may not have had that much fun
filming. Poor Chris Hutchens is
allergic to cats and almost all of the shooting occurred in houses where there
were three or more cats. The first
day of filming I had him wearing a sweater in the first scene that I didn’t
realize was covered in cat hair.
By the time I realized how bad it was we were halfway through the scene,
and I found a place in the script to have him take it off and we got it far
away from him. However, the damage
was done and he spent the day sneezing.
He also ended up getting stuck in the part of hiding in a sofa covered
in cushions that I should have realized were also covered in cat hair. He was such a trooper and put up with
the sniffling and sneezing. I hope you still had some fun Chris! (see Eidolon people – see what I made
actors put up with in the olden days? You got off easy with hotel rooms,
beaches, apartments with fish and only two cats in the main house we shot in!)
The filming for Perfect Combo was sporadic because I was
also filming two other movies at the time. I was wrapping up shooting for The Dragon & The Unicorn
when we started shooting, and was also filming The King of Elflin’s Daughter at
the same time. The King of
Elflin’s Daughter was finished first, but only because I focused on it more
during June. The Perfect
Combination finished filming in July and premiered to the “public” (ie the
actors and their families and friends) at the end of July in 1998.
For over ten years the only people who had seen the movie
were those who watched it at the premiere. It was partially edited on ¾ inch tape, but was dubbed to VHS
and used the VCR-to-VCR style of editing to finish it up. There was only one master tape at that
time and shortly after the viewing it broke while I was making a copy of
it. It wasn’t until a few years
ago that I re-edited in and put it on DVD. So anyone out there who was in the movie but has never
actually seen it, let me know.
Big thanks to everyone who worked on this production (especially
Chris Hutchens whom I tortured mercilessly with cat hair). It’s one of my favorite movies and I
had a lot of fun making it. I hope
you all did too.
(hmm…this ended up being a lot longer than I expect. Well, I do love to talk…)
Each month we'll interview a member of the Sine Fine Film company, asking the same or similar questions, and learn more about the actors and crew.
This month I'm interviewing Kate Weber who's been with the company since the beginning in the summer of 1996.
Q: How
did you get involved in SFF? (And what possessed you to keep coming back for
more torture?)
A:Long
answer: I’ve been friends with Yibble since we were in third grade, and through
the years we’ve done a lot of things that, in retrospect, might have been a little
out of the ordinary. Things like
starting a literary magazine, putting on a puppet show, dressing our toys as
Greek gods, that sort of thing. We
were all drama geeks in high school, so acting in a movie wasn’t much of a
stretch. And while the hours could get long and the weather was never friendly,
it was always a lot of fun, and something I’m proud to have been a part of.
Something I wish I’d gotten a chance to do more of when we were living in the
same city.
Short
answer: Yibble’s mah FWEND.
Q: What
was your favorite part to play?
A:It
was pretty great to play Ryaka in Pandora’s Box. Prior to that all my roles had
been more or less distilled insanity.
It was nice to do some actual acting. (Yes, I count “psychotic bitch” as
acting. Shut up.)
Q: What
was your favorite filming day?
A: A
lot of it’s kind of blurred together but I really liked some of the scenes in
Destiny III out at the MacLeod farm, where Rachel Anderson and I just sort of
sat around in the background and did whatever the hell we felt like. I was
usually taking Rachel’s lead – she the one who came up with the Beans’n’Weenies
song, for example.
Actually,
it’s a toss-up, because Cursed Destiny of Pandora’s Gift Box was SO much fun as
well.
Q: What
was your least favorite filming day?
A:Gift
Bearer: Time After Time, in Edwardian dress in triple-digit weather. That kind of sucked. I mean, it was still fun, but good lord
I thought I was going to faint.
Q: What’s
your dream role?
A:I’d
love to be the conflicted villain who eventually makes good, or the reluctant
hero with angst problems. Having a
love interest would be pretty fun too.
Never had one of those. (In a movie, that is. I like to think my husband counts as my love interest in
real life.)
Q: What’s
your favorite production to watch?
A: Cursed
Destiny, hands down, if only for Mike Steen.
Q: What’s
your favorite costume, accessory, or prop?
A:I
still have the penguin from Cursed Destiny. I’m not sure I had much else in the way of props.
Q: Who’s
your favorite actor co-star/actor you’ve worked with? Who would you like to work with in the future?
A: Rachel
Anderson and Jen Weber are always a joy.
I’d love to work more with them, and with Yibble (in an acting role, not
just as director). I also thing it’s be fun to act opposite my sister.
Q: Sum up each production you’ve been in using only one word or short sentence.
A:
DESTINY – spontaneous
DESTINY II –flashback
DESTINY III – pirates!
FRUMPY GETS IT – chaos
PERFECT COMBINATION – fridge
DESTINY: THE MINI-SERIES (1999) – editing
PANDORA’S BOX – killing
CURSED DESTINY OF PANDORA’S GIFT BOX – madness
QUATRAIN – unfinished?
TWISTED TALES: CINDERELLA (as writer) – whim
GIFT BEARER: TIME AFTER TIME – hot
FORTUNATE ONES: FOREVER – rope
FORTUNATE ONES: MAGIC-8 – cars
Q: Top
5 favorites: (not SFF related)
A:
Favorite
Color
Uhhhhhh…honestly,
I like blue and purple and green and many of the darker reds. That’s over half the spectrum. I’m not very good at this.
Favorite
Movie or TV Show
If
we’re talking movie I could watch the most times, then probably the original
Clash of the Titans
Favorite
Song or Band/Artist
Binary
Souls/Other Dimensions…but I might be biased.
Favorite
Food or Drink
PIZZA
Favorite
Holiday
Probably
Christmas. Honestly, any day I’m
not at work is pretty excellent.