Friday, November 30, 2012

Characters 101 - Esteban

Each month this blog will feature a character from one of the SFF productions.  We’ll start with one of the most popular characters in all of the SFF repertoire – Esteban from the Destiny Trilogy/Mini-Series.

 Esteban is a straight-forward, yet complex character.  I’ve been working on the novel version of the Destiny Trilogy for over ten years now, so it’s a little hard for me to separate the character as he was written in the movies/series from how he is now.   So I won’t.  In this character profile you will find out some things about Esteban you might not have known before. 

Overall, Esteban is a good guy in the classic sense of always doing what’s right, sort of.  Mostly.  Geez, he’s complicated.  You can’t make a blanket statement about him because there’s always at least one instance where he does the opposite.  I guess the way to sum him up is to say that he would do anything for his friends.  He’ll do whatever is in their best interest even if they don’t agree with it. 

If I could sum him up in one word it would be loyal.  He’s extremely loyal.

History

            Esteban is like his mother, Estelle, who was an exceptionally intelligent woman who was kind and considerate, but who understood how the world worked and knew her place in it.  She died giving birth to Esteban.  His insane father, Lord Geoffrey, decided that Esteban wasn’t really his son (that his wife had an affair, which she didn’t) since he didn’t look anything like him.  He actually tried to have Esteban killed as an infant, but a devoted servant stole him away and raised him in secret until he was old enough to be presented to his grandfather.  His grandfather adored him and tried to disown Esteban’s father, but died before he could.  In his will he made Lord Geoffrey’s inheritance dependant on Esteban’s continued good health, which is the only reason Esteban survived to adulthood.

Lord Geoffrey couldn’t hurt him without financial consequences, so he brought his bastard son Jeffrey to live with them and stirred up trouble between the two half-brothers.  Jeffrey was rewarded for hurting Esteban which made a happy relationship between the two very much not possible. I’m not going to go into all the horrible, mind-scarring years that followed and resulted in both brothers needed serious therapy they would never actually get.  

Although Esteban was a lord and the heir to a dukedom, he was rarely at court and when he went there he had no fun, mostly because he was shy and always had his head in a book.  However he was rumored to be one of the most intelligent men in the kingdom, a fact that King Ferdinand reminds Lord Geoffrey of when LG declares his intention to disown Esteban and make Jeffrey his heir. 

His whole life changed at the Baptismal Ball for the infant prince, Ketlan.  In a passive aggressive display of anger against Jeffrey stealing away any girl Esteban worked up the courage to talk to, Esteban broke a glass with his bare hand.  When he started to pick up the mess a woman offered to help him.  She turned out to be the queen, Lavinia, and she told him she had seen what really happened. 


Queen Lavinia invites Esteban to stroll with her in the gardens where she would listen to his woes.  The fact that someone – anyone, let alone a Queen – would take an interest in what he was thinking about or how he was being treated, made him extremely grateful and loyal to her for the rest of his life.


Unfortunately, Lord Geoffrey and his cohorts – the bastard Jeffrey and Prince Gergio, the king’s brother – tried to dishonor the queen by saying she was having an affair with Esteban.  The plan backfired so dramatically that in the end Lord Geoffrey and his entire family – including Esteban – were banished from the kingdom forever.

 That night Lord Geoffrey committed suicide (not soon enough! Can you tell I hate that a**hole?) and Jeffrey (who later shows up as Balthazar) somehow is convinced that Esteban murdered their father and Esteban runs for his life.  Luckily, Queen Lavinia intercedes with the King to pardon Esteban – who had nothing to do with the plot – and make him the royal tutor to Prince Ketlan. 

For the next eight years Esteban is Ketlan’s tutor and he becomes a personal friend of both King Ferdinand and Queen Lavinia.  He adores the royal family and would do anything for them.  He also, not surprisingly, develops a crush on Lavinia but he hides it well and never lets anyone know.  



One night Lavinia tells Esteban that both she and the king are going to be murdered that night and begs him to not try to save them but instead to take Prince Ketlan and spirit him away to the kingdom of Liliya and raise him as a peasent until he is old enough to avenge his parent’s death.  Esteban doesn’t understand but his loyality is so firm that he basically gives up the rest of his life to protecting Ketlan and helping Ketlan take back his throne and become a great king.



 And this is a really long summary – suffice to say Esteban arranges a marriage between Princess Elaina of Liliya and Prince Ketlan in order to have an army to help Ketlan take back his throne.  Ketlan falls in love with Melantha, one of Elaina’s friends and Esteban arranges to have her banished from the kingdom in order to force Ketlan to marry Elaina.  That’s the most underhanded, backstabbing thing he ever does, but Esteban firmly believes that he’s doing to right thing and the only thing that will help Ketlan take back his throne.  Oh so complicated. 



Ketlan takes back his throne with Esteban’s help, marries Melantha, and becomes a great king.  Esteban eventually becomes the royal tutor of Ketlan’s children.  Esteban gives his life helping Ketlan rescue his children from the evil clutches of Balthazar (Esteban’s half-brother Jeffrey), and dies in a final confrontation with his nemesis. 



His spirit is released after having fulfilled his pledge to his best friends – King Ferdinand and Queen Lavinia – to raise Ketlan and make him a great king and a good man.  In death, Esteban is reunited with his friends, and is finally able to find a peace and tranquility that eluded him in life. Although, let’s be honest – the main reason Esteban dies is because Tanino Minneci really wanted to do a death scene.


Appearance

 In the novel, Esteban is described as a plain man of medium height and medium build, with dark brown hair and serious brown eyes, half-hidden behind round, wire-rimmed spectacles.  Obviously the description was heavily influenced by the actor who portrayed him in the movies – the amazingly talented Tanino Minneci.  In the movies/series, his younger self doesn’t wear spectacles but in the book he starts wearing spectacles when he’s seventeen. 

Personality

Esteban is quite shy socially, which makes him terrible at picking up chicks.  Jeffrey/Balthazar loves to swoop in and charm away any woman that Esteban shows interest in, so Esteban just sort of stops trying to flirt and gives up on the whole dating scene.  



One of the things that “Evil Esteban” (aka Balthazar in disguise) does that makes him suspicious to others, or at the very least seems very out of character for him, is that he suddenly becomes a ladies man.  He is surrounded by the ladies of the court and appears to be genuinely enjoying their flirting and attention.  Yeah, that’s the opposite of how Esteban usually is a public function.  He doesn’t really like royal parties and such but always attends them for the required period of time because he follows the laws of courtly etiquette as best he can.

He’s very serious and practical; he rarely laughs.  Erion, Molly, and May make it their personal mission to make him laugh whenever they can.  He can be kind and considerate and he has a good heart, but his general aura is serious and stern.  His manners are impeccable, having been raised as a lord and living at court for a large part of his life.  He knows his place and views himself more as a servant of the royal family, though he is truly their friend, which creates a big of a distance between them.  

Esteban is very guarded emotionally.  The closest relationship he has is with Prince Ketlan since he pretended to be his father when they were in hiding, and raised him for ten years.  He will do anything for Ketlan, even dress in drag in order to sneak on board and all-female pirate ship. 



Abilities

Esteban’s primary ability is his intelligence.  He’s exceptionally smart and very knowledgeable about pretty much everything, having spent most of his life reading every book he could find (and he’s a speed reader).  He is also a writer, keeping a memoir of the events of the royal family and his own life (which is why he is the narrator of the movies/series), and he plays the flute.


He is also a very skilled fighter, which is at odds with his calm, bookworm demeanor.  His father was one of the best fighters in the kingdom and Esteban learned to fight by defending himself against first his father and later Jeffrey/Balthazar who was taught how to fight by their father.  Esteban later teaches Ketlan how to fight but it’s made pretty clear that Esteban will always be the superior fighter, who bests his half-brother most of the time.

There is a moment in Destiny II (aka Episode 5) where he is teaching Prince Ketlan and is interrupted by Queen Lavinia.  The Queen tells him about how she is going to be murdered by his half-brother and Esteban carefully moves his books and stacks his papers neatly to the side, then opens a secret compartment in his podium and pulls out a sword.  He is the essence of a warrior scholar.


Relationships - Allies & Enemies

Allies

Prince Ketlan is the closest thing Esteban has to a son.  He raised from the age of eight and would do anything for him.  When Ketlan decides to turn down the alliance with Liliya by not marrying Princess Elaina, and instead goes after Melantha – determined to marry her, Esteban goes with him.  Esteban isn’t happy about it because he would rather fulfill his duty to the royal family by putting Ketlan back on the throne, but goes along with it.  In the end, he does everything he can to help find Melantha and reunite them because Ketlan’s happiness is more important to him than anything else.

They have a difficult relationship however, because once he told Ketlan that Ketlan was a prince, however, he worked hard to distance himself emotionally again and return to the role of servant rather then father, which no doubt caused some confusion and hurt for Ketlan.  However, even after he is the king, Ketlan still looks to Esteban for guidance.  When he wants to know about his parents, he turns to Esteban.  When his children are kidnapped, he turns to Esteban.  Esteban is Ketlan’s rock – the one true constant in his life – and Esteban loves Ketlan as both the child of his best friends, and as his adopted son. 


Queen Lavinia is the secret love of Esteban’s life.  Her intervention in his fate and her willingness to listen to his problems when no one else cared about him endeared her to him. Obviously it wasn’t long before he fell in love with her.  But he never told her, or anyone, and worshipped her from afar, so to speak.  She was one of the only women that Esteban never had trouble talking to (the others being Erion and the OOPS) and he always felt easy and comfortable around her, despite their difference in status.  He would do anything for her, even give his own life.  Although she warned him not to save her, he couldn’t help trying to.  His greatest regret in life is that he couldn’t – no, didn’t – save her.



King Ferdinand is one of Esteban’s best friends, despite their difference in status.  The king turns to Esteban for support and guidance, and includes Esteban as part of the royal court even though as a simple tutor he shouldn’t be.  His faith and confidence in Esteban is unshakable and Esteban returns that trust with unwavering loyalty.  Ferdinand and Lavinia are the first people in his life to really believe in him, and Esteban sees Ferdinand as the best example of good man and a great king.



Erion is Lavina’s fairy guardian who mostly appeared around Esteban in the form of Lavinia’s personal companion and royal lady-in-waiting. However, Lavinia saw a loneliness in Esteban because he never felt that he could bridge the distance in status between his royal friends and himself.  Lavinia worried about him and so she sent Erion to watch over him and befriend him in disguise. 

Erion first appeared to Esteban in the guise of Ned – an inept thief who sneaks into his room one night and paints his floor blue and is then caught by Esteban.  Somehow from this bizarre beginning a friendship forms.  Ned becomes one of Esteban’s best – and strangest – friends and his/her wacky sense of humor makes Esteban smile (which is rare).

In their last conversation, Lavinia tells Esteban that Ned is really a fairy named Erion.  Although he meets Erion again as one of the OOPS, he doesn’t recognize her.  When Ned shows up again suddenly in Esteban’s room twenty-two years after they parted ways, he immediately understands that Ned is Erion and Erion is a magical fairy.  He doesn’t even blink, he just accepts it (of course he has a killer hangover at the time).  The trust and friendship formed between Esteban and Ned remains between them even though Ned never truly existed.  Erion is one of the very few women that Esteban is comfortable around, because of Ned, and he looks to her for guidance and support in helping rescue Ketlan’s children from Balthazar.

Ali-Jinjil is Esteban’s best friend of all.  

Ali views Melantha as a daughter in the same way that Esteban views Ketlan as a son, which gives them something in common right there.  Both men have suffered tragedy and loss, and overall both men are intelligent and serious, although Ali becomes less serious over time.  They get along very well and Ali is the only man that Esteban views as a true equal because they are both wise men of equal status.  He is of noble birth like Esteban but is no longer a ruler in his own right, and he spends him time helping to set slaves free.   They have similar personalities (although Ali is more light-hearted in the end) and a lot in common.

 This is made very clear when they are reunited at the beginning of Destiny III (aka Episode 6).  Esteban goes into the library for some quiet reading time and finds Ali already there, reading a book. Ali didn’t arrive with the fanfare that Elaina does, and just heads for the library.  Their greeting is one of old friends reunited and when Esteban is in trouble after Balthazar knocks him out and boozes him up, Ali is the one to help him back to his room and takes care of him.  



The scene that really gets me towards the end (the only that really makes me tear up) is when Esteban says farewell to Ali and tells him to take Prince Rowan to safety and protect him while Esteban stays to deal with Balthazar.  There is a sense in the scene that it is their final parting (even though Ali is there for his death in the end) and is just a really poignant scene.  After Esteban dies, Ali finishes his memoir for him and takes over as the narrator.  Ali is a warrior first and a scholar second while Esteban is a scholar first and a warrior second. 

On set there were a lot of comments made about Ali and Esteban both being gay and possibly having a relationship.  For the record, their relationship was completely platonic and Esteban is not gay, he’s just shy around women.  Ali-Jinjil, however, is gay.

Melantha is like a daughter-in-law to him, however he doesn’t seem to interact with her much due to his shyness around women and their difference in status.  However, when Ketlan is being a jackass and orders Esteban to lock Melantha in her room to prevent her from going after the children on her own after they are kidnapped, he refuses.  He politely tells Ketlan that Ketlan is being a jerk, and says that he will do anything for Ketlan, anything except that.  He refuses to lock up the Queen, his pseudo daughter in law and comes to her defense.

Princess Elaina and Esteban don’t really have much of a relationship.  They’re polite to each other but Esteban’s shyness around women and their difference in status prevents Esteban from trying to become friends with her.  He has a great respect for her and admires her, but they don’t really talk much.  

That’s one of the biggest clues that the Esteban who shows up at the ball (Destiny III/Episode 7) is really Balthazar in disguise – he starts chatting with Elaina and actually tries to chat her up a bit.  He suddenly seems very comfortable and confident around her.  Elaina is confused by his actions and words and senses that something is off.




Prince Rowan & Princess Telana are Ketlan’s children, and therefore are sort of like Esteban’s grandkids.  However, because of their difference in status Esteban acts like more of an uncle or chaperone around them.  He is their royal tutor and is one of the few people who can stop them from bickering.  Of course he is one of the people who rushes to their rescue after they are kidnapped by Balthazar.                                                                                                                                                                                                                                                                                                 


Molly & May are an amusing duo that confuses Esteban while still making him laugh.  He doesn’t really know Molly & May as a duo separate from the OOPS trio since they split up shortly before Erion leaves with Esteban, Ketlan, and Ali to go rescue the children.  Molly & May basically see their function around Esteban as comic relief and compete to see who can make Esteban laugh more.

Queen Catherine is an ally that Esteban seeks out to make a marriage of alliance between Prince Ketlan and her daughter Princess Elaina.  It’s not in the movies but she was a friend and ally of Queen Lavinia and King Ferdinand which is one of the reasons Esteban goes to her for help.  After Ketlan publically humiliates her daughter by choosing Melantha instead, she gets a bit testy and presumably she doesn’t really have much to do with Esteban after that in a personal sense.




Enemies

Jeffrey/Balthazar is Esteban’s half-brother and nemesis.  They hate each other.  They were raised to hate each other.  The only reason they ever met and were forced to grow up together is because their father wanted them to hate each other. 

Balthazar is the opposite of Esteban in pretty much every way – he’s handsome, charming, smart but not learned, selfish, vain, morally confused if not defunct, and a total ladies man.  But despite Balthazar’s far better social skills, Esteban always seems to be more beloved and endeared by the king, queen, and court.  Probably because he’s a genuinely nice guy and Balthazar is a murdering bastard.   That could be the reason.

Esteban was smart enough to realize that his father was using Jeffrey/Bal as a weapon against him and he didn’t really blame Jeffrey or truly, deeply hate him.  He understand that Jeffrey was just a pawn in their father’s game.  That’s one of the reasons why Esteban couldn’t bring himself to kill Jeffrey, even if it meant saving Lavinia’s life.  He saw in Jeffrey a reflection of what he could have turned into if he had let his father control his life like Jeffrey had.  Esteban pitied his half-brother who he saw as not being as strong willed as he was.  He let Jeffrey live and regretted it for the rest of his life.

 After the King and Queen were murdered and Esteban took Ketlan to safety, that’s when Esteban started to hate his brother.  He hated Jeffrey for killing his friends and hated himself for not being to kill Jeffrey when he had the chance.  He saw that as a weakness and was determined to kill Jeffrey if he ever had the chance. 




Of course I didn’t know the history between them when I wrote the first movie, and in fact the scene where they struggle at the bottom of the staircase was added later on after filming began.  It’s a terrible scene that shows Esteban being easily defeated and sending Ketlan to go kick Balthazar’s ass while he nurses a glorified paper cut.  Boo.  Not good, but I didn’t know the back story then…because I hadn’t written it.  Ah well. 

Needless to say, I make up for that in Destiny III by having the two of them fight whenever they meet.  

Seriously, they fight a LOT. 



And I tried to make it clear that they are fairly evenly matched.  
In a fair fight, Esteban will always win, but Balthazar never fights fairly so in the end Balthazar is victorious and kills Esteban. 


Lord Geoffrey is Esteban’s father who loves to rape, pillage, and murder and things that because he’s a Duke he can get away with it.  In the end he pushes his luck one too many times and screws up a half-brained plot to discredit the Queen in his ego-maniacal bid for power and gets booted out of the kingdom.  Not able to face the disgrace of banishment (or his debt collectors) he kills himself.  But not before he harasses Esteban for well over a decade and bits his sons against each other.  

Esteban hates him.  They really don’t have a relationship.  They barely have a truce.  Lord Geoffrey is also a totally f-ing jerktastic a**hole.  Seriously dude, he’s the number one worst character I have created and I hate him even more then I hate Namtaru from the Cursiverse. 



Prince Gergio is an interesting character, because he appears to love his brother and get along well with his sister-in-law, but he is secretly plotting to overthrow his brother and take the throne for himself.  He and Esteban are not friends per se, but they know each other and Gergio tries to form a sort of false friendship with him since he is so close with the King and Queen.  



Wow.  This was a REALLY long post.  Remind me not to pick such a complicated character next time. 




Wednesday, November 21, 2012

Production Diary - The Dragon & The Unicorn


 Once a month I’m going to talk about a specific production, what it was like to film it, and what was involved in making it happen.  This month I’m going to talk about The Dragon & The Unicorn.


The Dragon & The Unicorn was the fifth production filmed in SFF history, and was the first fully scripted movie to be produced after the Destiny Trilogy.  The idea was conceived as a way to let Annamarie MacLeod play a villain.  I also had a couple of cool looking daggers, two holographic-type pendant necklaces that had a dragon one and a unicorn on the other.  All those elements some how turned into a script.  Not sure how all the reincarnation stuff got in there but it was fun and I really like the script so I’m not going to complain.  I wrote the script shortly after filming Destiny III.  We began filming it on Labor Day weekend in 1997 and completed production in March of 1998.  


The basic plot is that for thousands of years two sisters — Leona the Good and Asarai the Evil — have been waging a war against each other, preserving the universal balance. Leona dies but is reborn every hundred years to continue the fight, while Asarai remains undead — a vampire waiting to find a way to end her sister’s existence permanently. Lily, and ordinary teenager, through a series of dreams and a fateful trip to a magic shop discovers she is the reincarnation of Leona and is forced to fight her sister throughout time in order to find a way to stop the cycle forever.

The casting wasn’t difficult.  Obviously I wanted Annamarie to play Asarai and since Lily/Leona was her sister I thought Nina Samii would be a great choice.  Also I realized Nina Samii had a lot of talent and wanted to work with her in a lead role.  Danny Skirvin is fun to work with and I wanted to see how well he’d work as the romantic lead – the one thing I didn’t take into account was how tall he was compared to the others which made it a little challenging.  And of course I simply adore the incredibly talented and hilarious Rachel Zoralee.  It was a fabulous cast and I had a lot of fun working with everyone.

The Roman scenes were fun (and I loved the costumes of course), and it was the first time that Annamarie got to try out her gothic makeup (which she always did herself).  


There were a few problems on the set, most notably there was someone nearby using a buzz saw, which lead to a scene or two taking longer to film than necessary.  We ended the day at the beautiful fountain at Parkland College.


Most of the filming days were sporadic – a Saturday here, a Sunday there – since all the actors were still in high school at the time. I’m not sure the order in which things were filmed after that, but I know we shot the training sequence scenes in late September or early October. 

We were filming at Prairie Play in Meadowbrook Park, starting with some of the JJ and Asarai scenes. While waiting for Rachel to arrive we had some time to kill so Annamarie and Nina decided to have their characters fight via a swing set contest.  In the background of all the footage from the day is a field full of tents where apparently a troop of boy scouts had decided to camp.  To explain their appearance in the background someone (Annamarie maybe?) decided they were actually Asarai’s demon minions, and that became a bit of a running joke. 
 
Mid-afternoon we filmed the pirate scene, which involved Danny being tied to telephone pole (aka “the mast”) for at least an hour. I believe he described that as not being fun. Rachel was unable to make it for filming that day and we shot what we could without her – which was still a lot.

I don’t know what possessed me to film a training sequence on a playground, but it really wasn’t an impressive place to train and of course on the day we filmed there were a LOT of kids there, which made it even more bizarre as a training ground. My favorite moment of that day was when Nina said: "Yeah, this would be impressive -- if I was two!"

At some point in the fall, not sure when, we filmed most of the outdoor Lily and Dottie scenes at a park that is no longer exists (I think it was called Dobbs Park).  We also filmed some of the indoor Lily and Dottie scenes like the first scene in Dottie’s bookstore.

I’m pretty sure we filmed the scenes in Asarai’s lair with Asarai and JJ sometime in October.  Filming the tango scene was challenging because of their height difference, but turned out to be very funny because of it. Everyone had a blast and Annamarie and Danny worked really well together.

Sometime in late November or early December we filmed the Medieval flashback scenes in Lincoln Woods. It was the first time we used the vampire teeth for a single shot and they turned out to be too big for Annamarie’s mouth which lead to some hilarity and a limited number of shots with the teeth later on.  

Also, that was one of the coldest shooting days and the actors costumes were not exactly warm, at least not warm enough to fend off the extreme cold. I wheeled home three ice-cubes and set them on the marble topped radiator at the Homestead to thaw them out.  I’m lucky no one got either pneumonia or frostbite from filming that day.  Inside filming is all good in winter, a lesson that I should have remembered down the road but never really did. 

We had a fire going in the fireplace in no time and some hot tea to help defrost the actors before tackling the long and very important chess scenes.  I guess I needed to feed the actors as well since they decided that the chess pieces tasted delicious. 


The next big shoot - the longest and most important day – was filmed at some point in January at the house of the assistant director, Melina Trejo (thanks Melina).  We filmed all the scenes at the climax of the movie there, including the big fight scene (what I like to call the “battle in a ball gown”).  


That was also the only other day we had the entire main cast there as well as several extras playing Asarai’s minions. It was a long, exhausting day but a lot of fun.  We ended the shoot with some Lily and Asarai scenes from the beginning of the movie and had a bit with a Christmas tree.

There was a break from filming at that point and we picked up again in February, filming whatever scenes still needed to be shot, including all of Dottie’s lines from the chess scenes, drunken Asarai, and the Renaissance flashback scenes, which were a challenge to film because I couldn’t get the space I wanted for them (Wesley United Methodist Church) and ended up filming them in my dining room, which had some nice murals so it worked out okay.  It actually turned out to be a really fun day of filming.

The last thing we filmed for The Dragon & The Unicorn was some footage I needed for the training montage.  By the end of March or early April, the movie was edited (with help from my father, Chris Stasheff) and premiered to an audience of five or ten people in one of the rooms of the Homestead.  


I really like the costume design for this movie with the general color scheme of black, gold, and green for Asarai and white, silver, and blue for Lily/Leona.  I actually made from scratch the Renaissance costumes, and tailored or remade several others.  I won’t bore you with any more costume details, just know I really had fun designing this one.







The single biggest tragedy of the production (and one of my biggest regrets) is that somehow one of the tapes for Dragon & The Unicorn – the really important one will all the scenes for the end and several for the beginning – was lost somewhere along the way.  This means, sadly, that I can never re-edit this movie which I think is one of my best films.  It has a pretty good script and a great cast.  


Thanks to everyone who participated in the fun little film, especially Annamarie, Nina, Danny, and Rachel.  I’ll leave you now with some clips from the special features on the DVD.